Unique documentation of men’s and women’s fashion collections
Wenda and ostriches, 1951 © Norman Parkinson Ltd, Courtesy of the Norman Parkinson Archive
As an exhibition of his work opens at the Proud Chelsea Gallery, We remember English gent and pioneering photographer Norman Parkinson
Norman Parkinson, or ‘Parks’ as his closer circle knew him, is the grandfather of British fashion photography. With a career spanning 56 years, he pioneered a new fashion narrative that offered a refreshingly fanciful take on clothing. The six-foot-five photographer became one of Britain’s greatest exports, with an imaginative flair for colour and dream-like compositions that blended humour and elegance, all with a quintessentially British charm.
“I like to make people look as good as they’d like to look, and with luck, a shade better” — Norman Parkinson
His whimsical photography appeared in Harper’s Bazaar and Queen: Maudie James elegantly poised in a red boat in Ethiopia, or Wenda Rogerson perched on an ostrich in 1951. In 1975, after photographing Jerry Hall in Soviet Russia, he convinced Hall to smuggle additional rolls of film around her waistband while travelling back to London. He himself was flamboyantly stylish, teaming skullcaps and fur hats with cableknit jumpers and printed shirts. Away from photography, he owned a pig farm in Tobago, and his famous ‘Porkinson’ sausages were served at the Ritz. As a new exhibition of his work opens at the Proud Chelsea Gallery, we consider ten quotes on this legendary photographer.
1. Norman Parkison on his style of photography… “I like to make people look as good as they’d like to look, and with luck, a shade better.”
Jerry Hall, Vogue, 1975 © Norman Parkinson Ltd, Courtesy of the Norman Parkinson Archive
2. Norman Parkison on his camera… “The camera can be the most deadly weapon since the assassin’s bullet. Or it can be the lotion of the heart.”
3. Grace Coddington on her first shoot with Norman Parkinson… “A tall, gentlemanly figure wearing one of his lucky little woven Ethiopian skullcaps… I asked if he would like to see my portfolio. He replied, “No, I don’t want to see other people’s pictures of you. I’m only interested in my view of you.”
Wenda and the cow, 1954 © Norman Parkinson Ltd, Courtesy of the Norman Parkinson Archive
4. Norman Parkinson on magazines… “A photographer without a magazine behind him is like a farmer without fields.”
5. Norman Parkinson on the work of other photographers at the time, such as Cecil Beaton… “All the girls had their knees bolted together. You only had to take a deep breath and you could smell the burning oil and the incense and the flower decorations and the great tapestries. I thought: “I don’t know any girls who live like that. My girls do this: they run, jump walls.”’
